In this article, Robinson Meyer, an
associate editor at The Atlantic, explains to the reader his
personal experiment with modern surveillance systems and the concept of wearing
CV dazzle; or facial anti-surveillance camouflage. He is not against these face
tracking systems nor is he paranoid of being detected by them, but he explains
that it was a curious experiment to test CV dazzle's authenticity and to
observe the reactions of the people around him. Meyer explains that Adam
Harvey, a student at NYU's Interactive Telecommunications Program, was the
inventor of this anti-surveillance camouflage method and effectively explains
CV dazzle in a well simplified way by using factual and concrete terminology,
and by also using more average reader friendly terms. He describes CV dazzle to
be "...ostentatious and a kind of rad-looking, in a joyful, dystopic way.”
In this way he uses words that are descriptive but at the same time
leaning more toward a personal perspective. Meyer explain his experiment to
wear CV dazzle on a day to day basis as a constant reminder of the CV dazzle, as
it is very well noticeable and eye catching feature. The CV dazzle works by
creating false depth and erasing uniqueness from the face with paint put in the
proper areas on the face. It is a face paint after all and so it attracts
a lot of attention from other people. He cleverly states that CV dazzle;
the very thing that makes your invisible to computers, is what makes you
glaringly obvious to other people around you.
In the article, Meyer
focuses on the experience of wearing CV dazzle more than the pros and cons of
the concept. He does not disapprove of it, but agrees that, in an age
of sophisticated facial-recognition technology, it serves as a nice
release from being tracked and monitored by machines. Meyer uses personal
pronouns and personal anecdotes throughout the entire article in a casually
informative, conversation-like manner to get the reader to relate. His diction
was good and conveyed the right tone and properly delivered his main point and
conclusion. At the end of the article, Meyer states “But
to a human spectator—whether in person or looking at those pixels—CV dazzle made my face highly visible. Perhaps
even unforgettable.” To introduce irony to the fact that CV
dazzle was made to hide the user’s face but in the process of doing so, makes
the user stand out more and become perhaps unforgettable to other humans. It is
a great ‘food for thought’ conclusion that leaves the reader wondering about
the topic.
http://www.theatlantic.com/features/archive/2014/07/makeup/374929/
http://www.theatlantic.com/features/archive/2014/07/makeup/374929/
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