In this article, Christopher Orr, a senior
editor and the principal film critic at The Atlantic, expresses his rational disapproval
of the Sin City sequel, Sin City 2: A Dame to Kill For. He
starts off by pointing out the good qualities of the idea of a sequel, such as
the eye catching visuals, first-rate casting, and ingenious directing of the
last movie—but states that overall, Sin
City 2 is not a movie worth
investing in, due to the overplayed visual effects, change in acting/character,
and the “tough guy” protagonist act that he claims audiences today have lost
their respect for. All in all I, with all due respect, disagree with Orr’s
assertion. Sin City was a graphic
novel based, noir masterpiece, it opened new doors and a whole new genre for
movies. As such, Sin City 2: A Dame to
Kill For is no different. The so called “overplayed visuals” are the visual
eye-catchers and are the primary appeals to the movie. It is what differs the
movie from other likewise action movies and is a visual theme that can only
improve over time with the development of visual effects. The primary appeals
of Sin City that he states in this
article are the 'over the top' violence and gruesome visuals, and he claims they
are what is missing from the sequel. Again, I respectfully disagree in that
violence and corruption (sin), played a big part of the main theme but are not what
cohesively brought the movie together as a whole. The intriguing story line and
narration, with added visuals and clever novel-to-film adaptation/directing are what truly
made Sin City a film worth watching.
In that same sense, Sin City 2 lacks
no such defining features that made the last film so great. It is simply the
next step for the Sin City franchise
and is giving the fans what they've clearly been waiting for since the release
of the first Sin City. It sure may be just another way of milking more money out of a forgotten franchise, however, I believe that Sin City 2 deserves the benefit of doubt.
Orr
writes this article to appeal to both those who look forward to the upcoming
movie and those who agree with his disapproval of the movie. He perfectly
states both sides of the argument and counter argues every point made from the
opposing side. His writing is very descriptive and he uses this to well convey
his point and stand. His writing is very opinionated yet informative and ironically
gets the reader to think more about the film and want to watch it.
http://www.theatlantic.com/entertainment/archive/2014/08/sin-city-2-not-to-kill-for/378976/
http://www.theatlantic.com/entertainment/archive/2014/08/sin-city-2-not-to-kill-for/378976/
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